Her detailed stitched paintings are created using fabric, gouache, and ultimately embroidery. “Stitched Paintings is the term I use to describe my style of work,” she writes on her website. “The process flows like this: I paint blank pieces of linen in abstract washes then add botanical, illustrative details in with acrylic paint or gouache or ink, finally I add texture through stitch.”

Partly trained and partly self-taught, Woods has learnt her craft through trial and error. “Coming to stitch as a mixed media artist I have taught myself a variety of embroidery techniques which probably don’t follow traditional embroidery guides but work for the kind of mark making I enjoy creating,” she writes.

“Stitch for me has become a bit of an obsession which marries my love of detail, color, texture, and allows hours of quiet reflection and Netflix binge watching,” she concludes. Sounds ideal to us!

Take a closer look.

The post Fleur Woods’ Stitched Paintings Are a Homage to Nature appeared first on Wallpaper Data.

But surprisingly, as a fashion designer, Gilbertson rarely worked with embroidery or hand stitching. “The act of hand stitching is still very traditional and loaded with meaning,” she shared with Venison Magazine. “Visually I want to create something modern and relevant to contemporary art today and the digital references are formed through the design of the artwork,” she adds.

As she explores the relationship between the handmade and the digital, Gilbertson hopes to push the boundaries of contemporary embroidery and elevate stitched work to a higher level, ideally putting it on a par with other art forms. Her work includes color studies of gradients moving through shades and single colour studies and exploration of fades, gradients and geometry, as she explores the ways in which our eyes and mind react when confronted with an unusual presentation of color. “I like the visual and conceptual link between a pixel and a stitch, the digital and traditional,” notes Gilbertson.

“Sometimes I plan out a work in advance digitally and intricately,” she says of her artistic process, “sometimes I just stitch straight onto the canvas with only a vague plan in mind. Both methods work.” Check out some of her mesmerizing work in the gallery below:

The post Zoe Gilbertson Pushes the Boundaries of Contemporary Embroidery appeared first on Wallpaper Data.

Her detailed stitched paintings are created using fabric, gouache, and ultimately embroidery. “Stitched Paintings is the term I use to describe my style of work,” she writes on her website. “The process flows like this: I paint blank pieces of linen in abstract washes then add botanical, illustrative details in with acrylic paint or gouache or ink, finally I add texture through stitch.”

Partly trained and partly self-taught, Woods has learnt her craft through trial and error. “Coming to stitch as a mixed media artist I have taught myself a variety of embroidery techniques which probably don’t follow traditional embroidery guides but work for the kind of mark making I enjoy creating,” she writes.

“Stitch for me has become a bit of an obsession which marries my love of detail, color, texture, and allows hours of quiet reflection and Netflix binge watching,” she concludes. Sounds ideal to us!

Take a closer look.

The post Fleur Woods’ Stitched Paintings Are a Homage to Nature appeared first on Wallpaper Data.

But surprisingly, as a fashion designer, Gilbertson rarely worked with embroidery or hand stitching. “The act of hand stitching is still very traditional and loaded with meaning,” she shared with Venison Magazine. “Visually I want to create something modern and relevant to contemporary art today and the digital references are formed through the design of the artwork,” she adds.

As she explores the relationship between the handmade and the digital, Gilbertson hopes to push the boundaries of contemporary embroidery and elevate stitched work to a higher level, ideally putting it on a par with other art forms. Her work includes color studies of gradients moving through shades and single colour studies and exploration of fades, gradients and geometry, as she explores the ways in which our eyes and mind react when confronted with an unusual presentation of color. “I like the visual and conceptual link between a pixel and a stitch, the digital and traditional,” notes Gilbertson.

“Sometimes I plan out a work in advance digitally and intricately,” she says of her artistic process, “sometimes I just stitch straight onto the canvas with only a vague plan in mind. Both methods work.” Check out some of her mesmerizing work in the gallery below:

The post Zoe Gilbertson Pushes the Boundaries of Contemporary Embroidery appeared first on Wallpaper Data.