His experimental approach to art is based around computer graphics, human-computer interaction, and computer vision, using technology in a playful way that aims to break down the fragile boundary between the visible and the invisible.

Based in New York City, Lieberman creates artwork using code, focusing on building experimental drawing and animation tools. His work also includes interactive environments that invite participants to join in and become performers themselves.

With a B.A. in Fine Arts from Hunter College and both a B.F.A. and M.F.A. in Design and Technology from Parsons School of Design, his work (a perfect blend of art and technology) has appeared in numerous exhibitions around the world, including Ars Electronica, Futuresonic, CeBIT, and the Off Festival.

But Lieberman also shares his work online, on his Instagram page – a page wholly dedicated to his experimentations with code. According to Lieberman, most of his sketches are coded in openFrameworks (using Xcode), while a few use paper.js.

“One thing I try to do, especially with the Instagram sketches, is try to stick with very simple things, like simple geometry,” explained Lieberman in an interview with the Verge. “What happens if you start with a circle and then you rotate it, and you extrude it and you revolve it? It’s almost like using geometry as a starting point, and glitching or changing through things.”

“The other thing that I’m really passionate about is motion,” he adds, “and how movement and animation can create an emotional response.”

Check out some of his recent work in the gallery below, and purchase a digital print of his work here:

The post Using Code to Create Art: The Work of Zach Lieberman appeared first on Wallpaper Data.

Drawing inspiration from giants like Pablo Picasso, Fortunato Depero, and Saul Bass, his illustrations are bold and graphic, relying on minimal compositions and restricted color palettes. What makes Marra’s drawing style stand out is its simplicity. It’s the kind of art that would make for a great poster.

“My creative process is very simple,” he relayed in an interview with Illustrators’ Lounge. “I try to make a lot of sketches and work to the idea that I have (if I have already an idea) or try to bring the inspiration from art and artist that I like. But the idea could come from other sources. So I’m always curious to find a new inspiration.”

“I think that the idea is the center of my work,” he stresses. “If the original idea is good, if it can transmit something, then you can work on it in many ways. Never be trivial, try to find your own way to communicate something.” Take a look at some of his simple, but striking, work, in the gallery below.

The post Stefano Marra’s Graphic Illustrations Deserve More Love appeared first on Wallpaper Data.

Keeping that goal in mind, her art is very much the meaning of eye-popping. Her graphic illustrations rely on bold contrasts and dramatic color palettes, attracting clients like Fendi, the Guggenheim Museum, and even the New York subway system. “I always try to put my heart into my work and preserve my vision without compromising it,” says Zagnoli.

Born and raised in Milan, Zagnoli was surrounded by creative minds like her. “I started drawing at a young age; it was a good meditation for me,” she recalled. After graduating from Istituto Europeo di Design (the European Institute of Design), she had a stint in New York, which had quite an impact on her, career-wise.

“I only had a few contacts in the US and somehow, I got the email of Brian Rea, who was the art director for the New York Times’ Op-Ed at the time,” she says. “I emailed him, but was sure he wouldn’t respond. He gave me an appointment to come show him my portfolio and that’s how it started.”

Now, with more than 130k followers on Instagram, there’s no stopping her. Here are some creative ways she plays with color:

The post Olimpia Zagnoli Is Hungry for Color appeared first on Wallpaper Data.

“The hardest part is putting yourself out there and staying consistent,” she admitted in an interview with Forbes. “If you’re working people will notice and different platforms can push your work to many directions. You never know who is watching.”

“I love this feeling of a Black Renaissance that’s happening,” adds Jordan. “We’re seeing people of color winning and creating new and exciting stories. I want to see art that includes people that look like me, so I create it.” She’s also very much inspired by the idea of living unapologetically. “I create work that is through an unfiltered lens,” she stressed. “I want to live in a space where I’m 100% me so I create work that fuels that.”

Indeed, her graphic illustrations are very much out there. Bold and colorful, relying on contrast and shapes, her art is a testimony to her confidence and strength. See for yourself.

The post Laci Jordan’s Art is 100% Her appeared first on Wallpaper Data.

“I let my work evolve by itself in a very organic way,” she went on to explain. “I believe that if I keep drawing and trying new things, it will change over time without me even noticing it. When you make a conscious decision to move on, it tends to show and feel a bit overworked and labored.”

With over 243k followers and features in publications like Vogue, The New York Times, The New Yorker, and Vanity Fair, Favre’s organic evolution seemed to have worked. “Looking back now, I can see glimpses of my childhood drawings in what I do now,” she admitted. “I developed my style over the years by pairing my illustrations more and more until it became some sort of manifesto.”

Take a look at some of her simple – yet striking – illustrations.

The post Malika Favre’s Graphic Illustrations are Homage to the Female Body appeared first on Wallpaper Data.

His experimental approach to art is based around computer graphics, human-computer interaction, and computer vision, using technology in a playful way that aims to break down the fragile boundary between the visible and the invisible.

Based in New York City, Lieberman creates artwork using code, focusing on building experimental drawing and animation tools. His work also includes interactive environments that invite participants to join in and become performers themselves.

With a B.A. in Fine Arts from Hunter College and both a B.F.A. and M.F.A. in Design and Technology from Parsons School of Design, his work (a perfect blend of art and technology) has appeared in numerous exhibitions around the world, including Ars Electronica, Futuresonic, CeBIT, and the Off Festival.

But Lieberman also shares his work online, on his Instagram page – a page wholly dedicated to his experimentations with code. According to Lieberman, most of his sketches are coded in openFrameworks (using Xcode), while a few use paper.js.

“One thing I try to do, especially with the Instagram sketches, is try to stick with very simple things, like simple geometry,” explained Lieberman in an interview with the Verge. “What happens if you start with a circle and then you rotate it, and you extrude it and you revolve it? It’s almost like using geometry as a starting point, and glitching or changing through things.”

“The other thing that I’m really passionate about is motion,” he adds, “and how movement and animation can create an emotional response.”

Check out some of his recent work in the gallery below, and purchase a digital print of his work here:

The post Using Code to Create Art: The Work of Zach Lieberman appeared first on Wallpaper Data.

Drawing inspiration from giants like Pablo Picasso, Fortunato Depero, and Saul Bass, his illustrations are bold and graphic, relying on minimal compositions and restricted color palettes. What makes Marra’s drawing style stand out is its simplicity. It’s the kind of art that would make for a great poster.

“My creative process is very simple,” he relayed in an interview with Illustrators’ Lounge. “I try to make a lot of sketches and work to the idea that I have (if I have already an idea) or try to bring the inspiration from art and artist that I like. But the idea could come from other sources. So I’m always curious to find a new inspiration.”

“I think that the idea is the center of my work,” he stresses. “If the original idea is good, if it can transmit something, then you can work on it in many ways. Never be trivial, try to find your own way to communicate something.” Take a look at some of his simple, but striking, work, in the gallery below.

The post Stefano Marra’s Graphic Illustrations Deserve More Love appeared first on Wallpaper Data.

Keeping that goal in mind, her art is very much the meaning of eye-popping. Her graphic illustrations rely on bold contrasts and dramatic color palettes, attracting clients like Fendi, the Guggenheim Museum, and even the New York subway system. “I always try to put my heart into my work and preserve my vision without compromising it,” says Zagnoli.

Born and raised in Milan, Zagnoli was surrounded by creative minds like her. “I started drawing at a young age; it was a good meditation for me,” she recalled. After graduating from Istituto Europeo di Design (the European Institute of Design), she had a stint in New York, which had quite an impact on her, career-wise.

“I only had a few contacts in the US and somehow, I got the email of Brian Rea, who was the art director for the New York Times’ Op-Ed at the time,” she says. “I emailed him, but was sure he wouldn’t respond. He gave me an appointment to come show him my portfolio and that’s how it started.”

Now, with more than 130k followers on Instagram, there’s no stopping her. Here are some creative ways she plays with color:

The post Olimpia Zagnoli Is Hungry for Color appeared first on Wallpaper Data.

“The hardest part is putting yourself out there and staying consistent,” she admitted in an interview with Forbes. “If you’re working people will notice and different platforms can push your work to many directions. You never know who is watching.”

“I love this feeling of a Black Renaissance that’s happening,” adds Jordan. “We’re seeing people of color winning and creating new and exciting stories. I want to see art that includes people that look like me, so I create it.” She’s also very much inspired by the idea of living unapologetically. “I create work that is through an unfiltered lens,” she stressed. “I want to live in a space where I’m 100% me so I create work that fuels that.”

Indeed, her graphic illustrations are very much out there. Bold and colorful, relying on contrast and shapes, her art is a testimony to her confidence and strength. See for yourself.

The post Laci Jordan’s Art is 100% Her appeared first on Wallpaper Data.

“I let my work evolve by itself in a very organic way,” she went on to explain. “I believe that if I keep drawing and trying new things, it will change over time without me even noticing it. When you make a conscious decision to move on, it tends to show and feel a bit overworked and labored.”

With over 243k followers and features in publications like Vogue, The New York Times, The New Yorker, and Vanity Fair, Favre’s organic evolution seemed to have worked. “Looking back now, I can see glimpses of my childhood drawings in what I do now,” she admitted. “I developed my style over the years by pairing my illustrations more and more until it became some sort of manifesto.”

Take a look at some of her simple – yet striking – illustrations.

The post Malika Favre’s Graphic Illustrations are Homage to the Female Body appeared first on Wallpaper Data.